March 2019 - commercials for Mango, Sessun and System

This year has been kickstarted with a slew of commercials, with visits to Morocco for Sessun, Spain for Mango and France for System.

In the interest of writing something different, these jobs - aside from being brilliant productions - gave birth to a particular new obsession: Towerfall on the Nintendo Switch. I do most of these jobs with my brother Tom and a regular crew of miscreants. When we’re not shooting, we’re playing Towerfall on Nintendo Switch. Literally the whole time.


November 2018 - Earthy Encounters a festival hit.

Earthy Encounters continues to keep on keeping on with it’s festival run!

Since playing Tribeca, we’ve won awards at Hamilton, San Jose and Newport. We’ve been an official selection at 30 other festivals, including Oscar and Bafta Qualifying Hollyshorts, Edmonton, Brest and Norwich (nominated for Best Film at the latter).

I few more big dates coming after Christmas.


August 2018 - Disney, Sandro, Vogue and Colmar

This summer I’ve been busy with commercials. I spent some time in Paris working on a Disney’s Muppets & Sandro collaboration, came back to the UK to shoot a SS19 campaign for Colmar and finally ended up in Hungary for Vogue. There in the great Hungarian plains, my photographer brother Tom Johnson and I spent some time with the Csikós - mounted horse herdsman. The resulting project is one of my favourites of recent years.


April 2018 - Tribeca (TRIBECA!) and Newport Beach win

This month was monumental.

Tribeca has always been something of a Holy Grail for me, so to find that Earthy Encounters had been selected (they take 50 films from 5000 submissions) was unbelievable. Myself and what felt like half the team headed out for a week of Bobby De Niro, Susan Sarandon and dollar slices. Needless to say, it was special. A NY critic even said the film was like a "rush of pure Spielberg". 

The perfect experience got an unexpected cherry on top when we also won Best Family Film at the Newport Beach Film Festival. 


February 2018 - Dublin International Film Festival

This Feb myself and the Earthy Encounters team headed out to the Audi Dublin International Film Festival. With a distinctly Irish flavour to our team - an Irish Producer, an Irish lead and a half Irish director - it's fair to say this represented something of a homecoming for us all. 

To round off a brilliant experience we had the unexpected delight of winning the Fantastic Flix Best short film award!


December 2018 - more Vogue; Earthy Encounters World Premiere

November saw more work with Vogue - this time shooting a project for them with Louis Vuitton. Once again I had the pleasure of collaborating on it with my horrendously talented photographer brother Tom (he's also younger than me). 

Earthy Encounters had it's World Premiere at the Oscar Qualifying Cork Film Festival, quickly followed by an appearance at the Bahamas International Film Festival. We've got some extremely exciting festival news coming up in the new year, so we're off to a good start! 

March 2017 - Vogue

Much of the beginning of 2017 has been devoted to the Earthy Encounters edit (I'm sallow skinned after so many hours spent in dark rooms). In the next few weeks we begin VFX and score. It's all getting very exciting. 

I also recently shot a documentary short for Vogue, following their editor-at-large Hamish Bowles as he curated an exhibition on “Five Centuries of Fashion at Chatsworth House”. 

December 2016 – Earthy Encounters

This December I shot my new short Earthy Encounters. It was an action packed seven day shoot, with a crew of 60 + descending on the Cotswolds for Go-Kart chase sequences, animated plants (designed and operated by the puppeteers of The Muppets and Star Wars) and tropical hothouses.

Starring Fionn O'shea (Handsome Devil) and Jess Barden (The Lobster, Far from the Madding Crowd), it’s the first short ever to be shot on the Arri Alexa 65. The exact camera and lenses were most recently used on Star Wars: Rogue One.

Yes, I did take a selfie with it.  

October 2016 - new adventures

October has a wonderful habit of being a lucky month for me. Last year it was success at Mark Kermode's IOMFF, this year, it's the beginning of some new adventures. 

This October I've sign with the brilliant Jack Thomas and Patrick Child at Independent. 

I've also heard that the BFI and Creative England have agreed to fund my next short Earthy Encounters through their 'Emerging talent' scheme. Go Kart chase sequences await!

August 2016 - Collaborating with friends and Comedy Central!

In the last few months I've been working with my brilliant friends at GoPeople, helping them with the publicity of their acclaimed production of A Midsummers Night's Dream. 

Billy has also been continuing it's festival journey in earnest, playing at Cinemagic, Kiwi International Film fest and winning an audience award at Cinephilia. 

It's also now playing on Comedy Central! 

April 2016 - CE panel talk and Saatchi & Saatchi GSK shoot

I had an unexpected return to the scene of the crime in March, as producer David Wade and myself participated in a Creative England isorts panel in Sheffield – the same one I attended when developing Billy the Kid two years ago. It was a real pleasure to see some old faces and meet some new ones, chatting about how (and how not!) to make a short film. 

In March I also shot a film for GSK through Saatchi & Saatchi. A day shooting with 15 kids was a heady mix of hilarity and profound exhaustion. 

February 2016 - Billy the Kid wins Boston Independent Film Festival

Billy the Kid has started 2016 with a bang, winning BEST OF FEST at the Boston Independent Film Festival. We’re also an official selection at Coronado Island San Diego, Kinofilm Manchester, LOCO London Comedy, Brazil Independent, Sanford International and the 57th Worldfest Houston – the US’ third oldest film festival. 

December 2015 - Billy the Kid wins at BAFTA Qualifying Aesthetica

This month Billy the Kid played at the BAFTA Qualifying Aesthetica Film Festival. We were delighted to take home the Youth Award, an Audience Award chosen for the people, by the people (the people, in this case, being a large hoard of hard-to-please school children - part of the Joseph's Roundtree Foundation, an initiative aiming to introduce independent cinema to young'uns). This was one of the festival’s top awards. Below you can see editor Theo and I doing are best to remain dignified. 

September 2015 - Billy the Kid wins at IOMFF!

This October, Billy the Kid won not 1, not 2, but 3 awards at the wonderful Isle of Man Film Festival - Best of Fest, Best Comedy and the Audience Award!

To top things off, Mark Kermode - one of the UK's very top film critics (and a personal hero of mine) - is head juror at the festival. He said Billy "more than passed his six laughs test". I can retire now.

August 2015 - Peter Werth cinema commercial

This month I shot a cinema commercial for Peter Werth. It’s their 40th anniversary and they wanted to mark it with something a bit special. The completed film will be screening in the cinema before Tom Hardy’s new film ‘Legend’, about the Kray twins, which is released September 2015

June 2015 - Palm Springs Shortfest

Billy the Kid had it’s cast and crew screening at the BFI in May. Soon after, it was an official selection at the Oscar and BAFTA Qualifying 'Palm Springs Shortfest'. Being our World Premiere and all, half the crew decided to crusade over to America. Such is our commitment to the growth of British cinema. 

Palm Springs is an amazing place, and an amazing festival – one of the top ten in America. We saw some really high calibre films, and met some incredibly talented filmmakers (invariably these two things are linked!). The festival also threw parties nightly, which was a brilliant (and exhausting) touch.

To cap things off, Billy was one of the Audience ‘BEST OF FEST’ picks. With 300+ amazing films in the festival, this was a huge honour.

February 2015 - Adidas New York

In late January I went out to New York to make a film for the release of Adidas’ new ultra boost shoe. It was a brilliant and productive little trip, which I got to share with my filmmaking partner in crime Hamish Anderson - Mr cinematographer extraordinaire. The film was a continuation in the #boost campaign, but also an early showcase for the new ultra boost shoe - "the greatest shoe ever made".

Billy the Kid - finally - is finished. In the end we had a much more protracted online than unexpected, with one problem after another. Many lessons were learned! But it's a real relief/exciting to finally have it ready to show to everyone who helped make it happen. 

 Now to the premiere!